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Ksenia Anske

May 4, 2016

What to work on in the first draft...

by Ksenia Anske


Illustration by Daan Botlek

Illustration by Daan Botlek

Illustration by Daan Botlek

Illustration by Daan Botlek

...and what to leave out. Or, rather, what bits are worth spending your time on, and what bits aren't. Now, before you read any further, know that THIS IS WHAT WORKS FOR ME. That doesn't mean that it will work for you. So don't come to my house with pitchforks and torches demanding I return your wasted time and recompense your other emotional damages. You won't get shit. And maybe I will spray you with vodka from my window. Or something. Anyway. Since you asked, here you go. (Proceed at your own risk. I warned you.)

THE THINGS TO WORK ON IN THE FIRST DRAFT: 

1. The order of things.

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TAGS: If you can't afford to send me Etsy gift cards, and if your very rich uncle hasn't died yet, meaning, you haven't inherited al that cash yet, and you can't send it to me, YET, (but you will when he's dead), then tell every bloody person you meet, about my books, TELL EVERYONE, Got it?, and review the hell out of them, and buy them, You don't actually have to read them, They're good door stoppers, I hear, or in Russia we used books to wipe our asses, books are good for that too


March 29, 2016

My detailed editing process

by Ksenia Anske


Illustration by Mrzyk & Moriceau

Illustration by Mrzyk & Moriceau

Illustration by Mrzyk & Moriceau

Illustration by Mrzyk & Moriceau

"Hi Ksenia! I am so excited you're going to go into more depth about your revision process, because your post about cutting half your words by rekeying your whole novel has me all abuzz with excitement (and, frankly, trepidation—I don't know why this method seems so frightening to me, but probably the fact that it does means that I should do it).

Here's the story of my story. I wrote a novel (a middle-grade). I waited a few months after the first draft, and printed the whole thing out and stuck it in a notebook. I read it through and made notes. I analyzed each scene to make sure it advanced the plot. I mapped character arcs. I typed in my changes. Then I waited a few weeks and sent it to my Kindle and read it again, and typed in more changes. Then I sent it to beta readers, and made more changes. Then I sent it to my agent, and made more changes. I had added scenes, deleted so many extraneous things, and tightened what I could. I'd gone from 74,000 words to 64,000 words.

We sent it out to editors and they all came back with the same rejection: "I love the voice but it takes way too long to get going." I put it aside. I wasn't sure what to do with it. And then, like magic, I won a free full manuscript edit from editor Deborah Halverson. I told her what the other editors had said, and asked her to very nicely be brutal. She wrote an amazing, thorough, mind-boggling edit letter and also marked up the manuscript.

And now I don't know what to do next. Do I read the edit letter so many times that I have it memorized? Do I print out the full manuscript with her edits in there, and read that, and then read it again and mark it up? Or, do I go Full Ksenia and print it out and then start typing? Or, I suppose, the question is: How do I go Full Ksenia on this?

THANK YOU, you are awesome, I bow down to your writerly wisdom. xoxoxo

Julie"

Hi Julie! Don't bow too low, you might hit your head on the floor (and it's not like I'm very wise, either, not worth the effort). So. May I say something outrageous to you?

FORGET ABOUT EVERYTHING AND EVERYONE AND JUST WRITE FOR YOURSELF.

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TAGS: seriously, not a single person has sent me a bottle of vodka, YET, what the fuck people, go on and do it, I will drink it for you on video, or something, anwyay, anyway, I hope this was helpful, onward