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Ksenia Anske

January 2, 2016

10 things I learned from shrinking 3 books into 1

by Ksenia Anske


Image source

Image source

Image source

Image source

All of this shrinking was done by Sarah, of course. She wrote a wonderful post about it. When she was finished with the manuscript, she sent it to me. I read it and sent it back with comments and fixes, and Sarah sent new fixes to me, and I sent her more comments and fixes, and so on. But they were minor. And in the process of reading and rereading the new condensed story and comparing it to the original trilogy I have learned a great deal about story structure and maybe even glimpsed how writers adapt their novels to screenplays.

Let me tell you, it's like milking a wild lioness that can crush your head open as a ripe walnut. Better don't attempt it at home alone, unless you know what you're doing. And better yet, have a good reason to do it, as it seems old books rather like to be left alone. It's very tempting to try and convert them to your current writing style, which I almost did. Thank God Sarah slapped my hands and stopped me. At the present moment the clean final FINAL copy of Siren Suicides graces my Inbox and I will get to reading it as soon as I'm done reading TUBE, Draft 2. Then Royce will proofread it one more time, just in case we missed something, and off it goes to Stuart for formatting. 

Well then. Here are the 10 things I have learned from this process. 

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TAGS: Siren Suicides, editing, editing process


June 24, 2015

Why it's a bad idea to over-edit

by Ksenia Anske


There is a reason editors exist, and I think that reason is simply the need to slap writers' hands and stop them from editing where no editing is needed. 

So I'm proofreading The Badlings, right? And this thing has already been through 5 drafts and 2 editing scrubs and is supposed to be final, then I catch this clumsy description that is very important. It shows a major world change, yet I glossed over it. Here it is (WARNING!!! Spoilers.):

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TAGS: editing, over-editing, proofreading, draft, editing process


February 22, 2015

How much should your book change?

by Ksenia Anske


Photo by Sam Judson

Photo by Sam Judson

Photo by Sam Judson

Photo by Sam Judson

You thought I'll give you an answer? Fooled you! I wish. I'm searching for an answer myself. But I thought I'd write out what is happening with The Badlings and maybe I'll glimpse some truths from it. Or maybe entertain you. Or both. Or neither. Anyway. I have noticed a change pattern that occurs from draft to draft, and I'm curious how this pattern develops over the years of writing experience. The Badlings is only my fourth novel, counting Siren Suicides as one, so I'm sure that after 20 of these babies I will have a completely different opinion. For now, though...

THE PROCESS OF CHANGE.

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TAGS: how to, change, drafts, writing, editing, editing process


January 7, 2015

Why editors are important

by Ksenia Anske


Photo by Ana Luisa Pinto

Photo by Ana Luisa Pinto

Photo by Ana Luisa Pinto

Photo by Ana Luisa Pinto

Like you have no idea why. But I will repeat it, nonetheless. Again, and again, and again. (You are welcome to beat me up later.) If you're looking into self-publishing, you must MUST MUST have an editor, even if it's just a friend who is good at catching things and is willing to lend you an extra pair of eyes. Scooped out, on ice, in a glass container. No, really. Editors catch things you would never catch in a million years because you're blind to them. I have had the fortune and the luck to work with amazing editors, my former editor Colleen M. Albert who very gently taught me to de-confuse my writing (there were many run-ons and repetitions), and my current editor Sarah Grace Liu who has seen things I typically struggle with, like the following:

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TAGS: writing, editing, common mistakes, patterns, editors, editing process


November 29, 2014

Writing is all about detail, and isn't

by Ksenia Anske


Photo by trini61

Photo by trini61

Photo by trini61

Photo by trini61

We all hear this on every corner, "Be specific in your writing. Describe every detail." And at the same time we also hear this, "Don't over-describe. Give the reader room to breathe, to imagine." When you're just starting out as a writer, when you begin working on your first short story or novella or novel, this can be confusing. What does it mean, to describe every detail and yet not to over-describe? How exactly is this possible?

Simple.

Describe selected details, only those details that are absolutely necessary to move the story forward. Cut out everything else.

Every time I read work sent to me by beginning writers, I see the same mistake repeated over and over again. I used to do this too. 

EVERY LITTLE THING IS DESCRIBED. EVERY BLOODY THING.

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TAGS: writing, less is more, editing, editing process


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