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Ksenia Anske

June 21, 2014

Vary the rhythm of your sentences

by Ksenia Anske


Photo by Joel Robison 

Photo by Joel Robison 

Photo by Joel Robison 

Photo by Joel Robison 

Rhythm. We all love rhythm. Music. Beat. Songs. Speech. I guess it comes from the womb. From the heart. The heartbeat we've heard, before born, it was rhythmic, is rhythmic. Comfortable. Soothing. Or exciting. Or maybe it's the sound of life itself, and we love listening to it, to know that we're alive. I'm not the first one to say it, and you've probably heard it a lot. Have read about it, thought about it, seen it in books, in your own writing. There is a certain rhythm to every piece of writing. Think poetry. Poetry is where its loudest. But in prose it's there, too. Think about your favorite book, open it, look at the sentences. Don't read them, simply look at them. At their length. At their structure. Every comma is a beat, every segment of a sentence is saying something, sounding something out. Every period is a louder beat, a stop, a pause. I'm not a musician, so I don't know proper terms. You know what I mean, though. See how no one sentence is alike? See how each new sentence picks up the rhythm and changes it into something new? See how when there is repetition, it only goes on for 2, 3, 4 beats, rarely more, because otherwise you will get tired as a reader and start perceiving it as a list?

It struck me this week (yeah, yeah, I know, things tend to strike me, laugh now.)

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TAGS: rhythm, music, tempo, sentence, writing, reading aloud, variety


May 14, 2014

Vary your language, poppets

by Ksenia Anske


Photo by Joel Robison

Photo by Joel Robison

Photo by Joel Robison

Photo by Joel Robison

This bothers me a lot. Like, A LOT. In my own writing, and occasionally in some books I've read. Which is rare. Because, of course. Books. BOOKS. Published books. They've been edited prior to being published. Wait, before they've been edited, they've been written by writers who possess some kind of a gargantuan wealth of language. Plus, they went through countless drafts. So. Back to my own writing. What I'm talking about is a certain stagnation of prose. Just this inability to break out of the repetitiveness of "She said" and "He said" or "She walked" and "He walked" or "The sky was blue" and "The grass was green" and whatever other traps you fall into, this scarcity of language that you can feel on your skin. The stupor. The torpor. The feeling inside you, that torturous emotion, that image that is so clear yet is SO FUCKING HARD TO WRITE IN COLORFUL DIFFERENT WAYS!!! 

Well. Guess what. Variety comes with practice.

VARY YOUR LANGUAGE, VARY IT!

How exactly do you do it?

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TAGS: vary language, language, variety, richness, vocabulary, writing, how to